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乾隆年制珐琅彩人物故事瓶

乾隆年制珐琅彩人物故事瓶

断代/款识
规格 清代

数量

1

委托售价

议价

成交价格


藏品简介
此藏品为曹女士所藏有。此预计近期出手,价位可商议,如需咨询请联系客服。 
 
珐琅彩瓷堪称康、雍、乾三代帝王挚爱的“内廷秘玩”,是“庶民弗得一窥”的御用品。它瓷质细润,彩料凝重,色泽鲜艳,血统高贵,细如毫芒,是历代最受藏家青睐的瓷器之一,与宋汝瓷、元青花并驾齐驱,被称为“世界上最奢侈的艺术品”。       
 
珐琅彩瓷启始于康熙末年,全盛于雍、乾两朝,乾隆中期以后逐渐销声匿迹。17世纪初,当法国传教士第一次将画珐琅器贡奉康熙皇帝时,康熙皇帝被它优美的造型,绚丽的色彩深深吸引,即刻决定把珐琅这种新型装饰效果,移植到他最爱的瓷器上。由此规定,所需白瓷胎由景德镇御窑厂特制,解运至京后,所需图式由造办处如意馆拟稿,经皇帝钦定,再由宫廷画师依样画到瓷器上,最后在清宫造办处彩绘、彩烧。但是,在瓷质坯上用珐琅彩釉进行绘画,比起铜胎上作画难度大很多,入窑后烧造时间极难掌握。因此,经过反复实践,直到康熙末年1720年,瓷胎画珐琅才烧制成功,最终了却了康熙帝长达30年的夙愿。       
 
据清宫旧藏道光时釉记载:康、雍、乾三朝珐琅彩瓷器存世大约400余件,其中的300多件目前藏于台北故宫,40件左右藏于北京故宫,尚有少量零散收藏在世界各地博物馆和私人手中,是晚清流散出宫或被英法联军从圆明园掠走的,且大多为残片,完整器不足10件,堪称世间瑰宝,国之文物。   This collection is in the possession of ms Cao.  This is expected to be sold in the near future, price can be consulted, if need to consult, please contact customer service.      Enamel enamel porcelain is a " secret play" of the emperor's love of kang, Yong and Qian. it is the royal household goods that " common people get a glimpse of ".  It is porcelain and smooth, color material dignified, bright color, noble blood, such as M Milli, is one of the most favored by collectors of porcelain, and song ru ci, blue and white porcelain, called " the world's most extravagant works of art ".       
 
Enamel porcelain started at the end of Kangxi reign, was in the heyday of Yongzhou and Qianlong, and gradually disappeared after the mid - reign of emperor Qianlong.  At the beginning of the 17th century, when the French missionary first drew tribute to emperor Kangxi, emperor Kangxi was deeply attracted by its beautiful shape, brilliant colors, and immediately decided to transplant the new decorative effect of enamel to his favorite porcelain.  Therefore, the required white porcelain body is specially made from the Jingdezhen imperial kiln. after the solution is delivered to Beijing, the required scheme is prepared by the Workshops Ruyi gallery, decorated by the emperor, and then painted by the court artist to the porcelain, and finally painted and colored in the palace of the Qing palace.  However, painting with enamel painted on porcelain body is much more difficult than painting on copper, and it is extremely difficult to master the time after kiln.  Therefore, after repeated practice, until the end of Kangxi in 1720, the porcelain fetal enamel was fired successfully, and finally completed the dream of the emperor Kangxi for 30 years.     
 
 According to the light glaze in the palace of Qing dynasty, there are more than 400 porcelain enamel porcelain preserved in kang, Yongzhou and Qianlong dynasties, of which more than 300 are currently hidden in the palace museum in Taipei, 40 pieces hidden in the imperial palace in Beijing, and scattered in museums and private hands around the world, swept out of the palace of the late Qing dynasty or by the British and French allied forces from yuanmingyuan, and most of them are fragmentary, with less than 10 complete devices, which can be regarded as cultural relics of the world.