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明末清初金丝珐琅掐丝景泰蓝碗

明末清初金丝珐琅掐丝景泰蓝碗

断代/款识
明末清初
规格

数量

1

委托售价

议价

成交价格


藏品简介

此藏品为杨先生所藏有。此预计近期出手,价位可商议,如需咨询请联系客服。

 

 

华夏文明上下五千年,历史文化源远流长。每一个历史发展的阶段都是我们国家成长的足迹,清代是掐丝珐琅工艺发展的又一高峰期。由于社会的安定与经济的繁荣,皇宫养心殿设立御用工厂,称造办处"。康熙三十年(1691)"造办处"的御用工匠多至几百人。康熙三十二年(1693),设"作"来制造各种御用器物。珐琅作也是其中之一。

 

但这个时期的制作水平较之明朝无大发展。到了乾隆时期(1736~1796)景泰蓝与雕漆、金漆镶嵌等行业,得到了空前的发展。乾隆四年,从广州招来珐琅艺人梁绍文,邀扬州艺人王世雄进宫制作珐琅器。这一时期,景泰蓝制品在皇宫内处处可见。小到床上使用的帐钩,大到屏风,甚至高与楼齐的佛塔(故宫珍宝馆乾隆花园内,承德外八庙小布拉宫内的大殿都有陈设),以及日用品,桌椅、床榻、酒具、砚、匣、笔架、建筑装饰、宗教用品等等,无所不备。这个时期所采用的物质材分上、中、下三等,上等者金胎金丝,中等者银胎银丝,下等者铜胎铜丝"(《北平珐琅工业近况》1928年)。花纹的内容也比明代更为广泛。花鸟虫草图案更加生动多姿,龙凤图案越显刚柔相济,大明莲也演变成精美细秀的勾子莲,并出现了利用历代文人名画掐制的作品。这时已开始使用手摇压丝机,使丝工技艺达到了空前的匀称精美。釉料不仅出现了粉红、银黄和黑等颜色,而且粉碎技术也有了很大提高。釉料研磨的加细,对点润技术的提高和作品的表现力起了很大作用,产品的砂眼也大大减少。这时的制品不仅继承发展了明代景泰蓝豪华、古典、雅致的民族风格,而且镀金技术远远胜过明代,镀金厚重。从保存的器物看,至今仍光彩照人,圆润结实,金光灿烂"。可以说,乾隆时期是清代掐丝珐琅的鼎盛时期。景泰蓝与漆器、木器等其他工艺的结合,也是始于乾隆年间。

 

This collection is owned by Mr yang.  This is expected to be sold in the near future, price can be consulted, if need to consult, please contact customer service.            The Chinese civilization is five thousand years, the history and culture has a long history.  Each stage of historical development is the footprint of our country's growth, and Qing dynasty is another peak of the development of the filigree enamel process.  As a result of the social stability and economic prosperity, the imperial palace hall of mental cultivation established a queen's factory, called Workshops. ".  In the thirty years of Kangxi ( " 1,691" ) " Workshops ", the queen's artisans as many as hundreds of people.  Kangxi 32 years ( 1,693 ), set up " make" to make all kinds of artifacts.  Enamel is also one of them.          But the level of production in this period is less than that of the Ming dynasty.  In the Qianlong period ( 1736 - 1796 ) cloisonne and carved lacquer, gold inlaid and other industries, has been unprecedented development.  Qianlong four years, from Guangzhou to invite enamel artist Liang Shaowen, invited Yangzhou artist Wang shixiong to enter the palace to make enamel vessels;enamel wares.  During this period, cloisonné ware was found everywhere in the palace.  From small to bed hooks, large to screen, even high and the building of the stupa ( palace museum treasure house Qianlong garden, the small Bra palace in the temple palace all display ), as well as necessities, table and chair, bed, wine, ink stone, box, pen rack, building decoration, religious supplies, etc.  The materials used in this period are divided into three parts, the middle and lower levels, the fine gold spun gold gold, the silver fetus silver, and the inferior copper copper wire " ( present situation of the Peiping enamel industry, 1928 ).  The content of the pattern is also more extensive than the Ming dynasty.  The design of flowers and birds is more vivid, the dragon and phoenix patterns are more and more gentle, and Daming lotus has also evolved into a fine and fine show of the gouzilian, and the use of the ancient literati painting of the production of the paintings.  At this time, the use of the hand Press machine, the silk technology has reached unprecedented symmetry and fine.  The glaze not only appears pink, silver yellow and black, but also the pulverization technology has improved greatly.  The addition of the glaze grinding, the improvement of the point embellish technology and the expression of the work, the production of the product is greatly reduced.  At this time, the products not only inherited the Ming dynasty cloisonne deluxe, classical, elegant national style, and the gold-plated technology is far more than the Ming dynasty, gilded thick.  From the preservation of the objects, so far, still brilliant, the more?  " ` ` ` ` `;  It is round and strong, and it is rotten to the ground. ".  It can be said that the Qianlong period was the heyday of the Qing dynasty in the filigree enamel.  The combination of cloisonne and other processes, such as lacquer and wood, began in the reign of emperor